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MachineControl Guide46
Possible Solutions:
◆ Most controllable transports need to be
placed in a “Remote” or “Ext” mode to allow
them to be slaved to other devices. Verify that
the device is in this mode. Refer to the docu-
mentation that came with your device for more
information on Remote and Local modes.
◆ In the Transport window, check the status of
the “Transport = Pro Tools” or
“Transport = Machine” setting.
Time Code Inaccuracy
Problem:
The time code locations shown in the Selection
and Position Indicator boxes do not match ma-
chine time code.
Possible Solutions:
◆ For best performance with Serial Deck Control
mode, connect the machine to an available se-
rial or COM port (or serial adapter connected to
a USB port) on the host computer. Use the 9-pin
ports on the SYNC I/O for non-linear video
decks only.
◆ In some cases, the Time Code values reported
by machines are not in sync with the time code
that gets played out of their time code ports.
(One example of this is when the machine's
time code reader is looking at VITC while
Pro Tools is chasing LTC.)
◆ If the values get progressively farther and far-
ther apart, check the frame rate. Make sure you
have set Pro Tools to the same frame rate as the
movie/machine frame rate. Also check the
frame format (drop or non-drop).
◆ If the values differ by a significant margin
(such as an hour or more), the Start Frame num-
ber may be set incorrectly. Open the Session
Setup window and check the Session Start Frame
number.
Changing Session Start Time, Dropped
Frames, and Drop Frame Time Code
When you change the session frame rate from a
non-drop to drop rate, or from drop to non-
drop, the session start time and material in the
Timeline may be affected.
Non-drop Changed to Drop: The Session Start
Time is changed to the next possible supported
frame if the current one is not supported in DF.
For example, changing from non-drop to drop
frame in a session that starts at 00:59:00:00 will
change the session’s start time to 00:59:00:02
(due to the method by which frames are
dropped in each rate and format).
Every event in the Timeline is moved back two
frames, maintaining each event’s relative time
code location (relative to the start of the ses-
sion).
Drop Changed to Non-drop When going from
drop to non-drop, no compensation is applied
to the session start time. This is done because all
frames in drop exist in a non-drop Timeline (a
drop rate Timeline is a subset of its correspond-
ing non-drop rate Timeline). So, when changing
from a drop rate to a non-drop rate, Pro Tools
keeps events at the same location relative to the
start of the session.
- MachineControl™ 1
- Copyright 2
- Chapter 1. Introduction 3
- Introduction 5
- Requirements 6
- About www.digidesign.com 7
- MachineControl Guide 8
- Connecting Machines 10
- Installing MachineControl 11
- Software 11
- Starting Up Your System 12
- Authorizing MachineControl 12
- 4 Launch Pro Tools 13
- MachineControl Guide10 14
- Removing MachineControl 15
- MachineControl Guide12 16
- Serial Deck Control Mode 17
- Remote 9-Pin Deck Emulation 18
- Setting Up Machine Control 19
- Transport = Pro Tools 20
- Transport = Machine 20
- Taking a Device Offline 21
- Online Display Information 21
- Transport pop-up menu 21
- MachineControl Guide18 22
- (Configuration and Operation) 23
- Setting Up a MachineControl 24
- Device for Deck Control 24
- Machine Pre-Roll 25
- Control Mode 25
- Serial Time Code 26
- Preferences for Serial Deck 27
- Session Setup Window and 28
- MachineControl 28
- Session Settings and 29
- Session Start Offsets 30
- Time Code Settings 30
- Incoming Time display 30
- Additional Pro Tools 31
- Commands 31
- Selecting Pro Tools or the 32
- Machine as the Transport 32
- Playback in Serial Deck 33
- Machine Cueing 34
- Remote Track Arming 35
- Configuring Track Arming 35
- Creating a Track Arming 36
- Entering a custom track name 37
- Entering a new byte code 37
- Choosing a Record Protocol 38
- Choosing a Record Mode 38
- Arming Tracks Remotely for 39
- MachineControl Guide36 40
- Remote/LTC Chase Mode 42
- Chase LTC 43
- Preferences for Remote 9-Pin 44
- Deck Emulation Mode 44
- Playback in Remote 9-Pin 44
- Recording in Remote 9-Pin 45
- Track Arming in Remote 9-Pin 46
- Deck Control Key Commands 47
- MachineControl Guide44 48
- Troubleshooting 49
- Time Code Inaccuracy 50
- Machine IDs 51
- 48 Track Profiles 52
- 9-Pin Cable Pinouts 53
- MachineControl Guide50 54
- Serial Deck Control Cable: 55
- Shielding 56
- Index 53 57
- MachineControl Guide54 58
- Index 55 59
- MachineControl Guide56 60
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